Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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WIERINGEN, Cornelis Claesz van
Capturing Damietta

ID: 85513

WIERINGEN, Cornelis Claesz van Capturing Damietta
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WIERINGEN, Cornelis Claesz van Capturing Damietta


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WIERINGEN, Cornelis Claesz van

Dutch painter (b. ca. 1580, Haarlem, d. 1633, Haarlem) Dutch draughtsman, painter, etcher and navigator. His name first appears in the Haarlem records in 1597. It is generally assumed that he was a pupil of Hendrick Vroom, whose work strongly influenced his own. Documentary sources confirm that he maintained close friendships with both Hendrick Goltzius, who made woodcuts after his drawings (see fig.), and Cornelis Cornelisz. van Haarlem. Van Wieringen was more than once governor of the Haarlem Guild of St Luke, a position in which he was responsible for updating the guild's outmoded organization. He specialized in seascapes and received commissions from the city of Haarlem, the Dutch Admiralty in Amsterdam and others. His interest lies primarily in his influence on Dutch marine painters of the 17th century.  Related Paintings of WIERINGEN, Cornelis Claesz van :. | Portrait of Elizabeth Prioleau Roupell | Portrait of Mariana and Vera Ivanovna Beck | Badende Frauen in einer Grotte an der Mittelmeerkuste | Isles of Shoals at Dusk | Seascape, boats, ships and warships. 110 |
Related Artists:
Maurice Utrillo
French Painter, 1883-1955,French painter, son of SUZANNE VALADON. He was entrusted to his grandmother while his mother posed as a model for such painters as Renoir and Puvis de Chavannes before discovering her own talent for drawing and painting. His father, the Spanish painter Miguel Utrillo (1862-1934), only admitted paternity eight years after Maurice's birth. Maurice Utrillo had no predisposition for art, but when he was 19 his mother took medical advice and urged him to adopt drawing and painting as a distraction from his need for alcohol. In search of a suitable subject, he went to the countryside around Montmagny, a village to the north of Paris, where, between the autumn of 1903 and the winter of 1904, he completed almost 150 paintings, sombre, heavily impasted landscapes, such as the Roofs of Montmagny (Paris, Pompidou). By 1906 the doctor felt that Utrillo could return to Montmartre. His pictures of the streets and suburbs were painted with a less heavy impasto and with lighter tones.
Aurelio de Beruete
1845-1912
Dorofield Hardy
1882-1927






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